Summary of work since 1977

Stephen King’s early etchings used the gorge country near Walcha as a means to explore aquatint and the etched line. He adopted Fred Williams’ gestural tree language to describe his shared love of the eucalypt. After graduating from SCA, Stephen produced a series of colour etchings at St Martins College, London. These depicted the life of an old bushman from his family farm and sought to romanticise the honesty of Old Ted’s working day. The Shearing series of 1983 also described the workings of the woolshed as a thing of rhythmic beauty.

Although his first sculpture The Digger travelled NSW in the 1976 Art Express exhibition he did not start to make sculpture for another six years when he experimented with figurative constructions and conceptual pieces using animal carcasses to make large acrylic monoprints on canvas. He was describing the devastating effects of the drought. With titles like the Black Shepherd and Cold Snap 9th October 1982, the unforgiving nature of the weather and man’s attempts to tame the land became a theme that Stephen has continued to revisit in both his prints and sculpture.

By the late 1980’s his linocuts were questioning how we farm the land. You’d get five strainers out of that one and Man going along chopping down lots of trees are examples of how he used humour and story-telling to make a bold statement with a resonant message that can be seen from both sides of the argument. In the Nature Fights Back series of 2005 The Disemboweling and Bad Dog are so explicit in their message that the effect is comical.

Religious themes have also been recurrent since the late 70’s. The Thrasher meets the Pearly Gates of 1987 and The Second Coming of 2002 address the issue of redemption and who will pay for their sins. The series Big Business comments on the selfish nature of ambition and the Stargazer series explores the problem with blind faith.

As a grazier he became interested in genetics and the continuum of life. When Iceman was discovered he made a series of sculptures exploring the idea of man’s heredity and the unraveling of our genetic make-up. Generation Stick, DNA and Beginning are all studies of life and humanity.

Stephen uses the everyday of rural life to give an insight to the industry of working the land. The Log Roller series is a tribute to human endeavour and etchings like It’s red-legged earth-mite and Let’s call it a day describe ordinary moments in the day of a farmer.

Most recently Stephen has been addressing climate change. Carbon Trader shows the debate as a juggling act with big business coming in to play using it as just another new commodity. Personal issues are woven into world issues. Two people fighting, Man and Child and First Kiss are about personal relationships but they also allude to time and the Zen idea of the wings of a butterfly and the ripple effect. Even more intimate is Hello Mate, a portrait of Stephen’s horse Bert who died during the making of the sculpture.

Currently he is working on non-figurative constructions which open and close as you move around them and suggest the idea of the infinite rather than the closed and finite shape of the figure.

Biography

1958 Born Bingara, New South Wales, Australia

1977 - 1979 Studied at Sydney College of the Arts

Graduated with Diploma of Visual Arts, Printmaking major

1981 Studied at St. Martins School of Arts, London

Solo Exhibitions

2016 To Birdsville and Back, Walcha Gallery of Art NSW

2015 Stephen King, Maunsell Wickes Gallery, Paddington, Sydney

Stephen King: Sculpture, Maitland Regional Gallery

2014 Stephen King: Sculpture, Tamworth Regional Gallery NSW

Stephen King: Sculpture, Western Plains Cultural Centre, Dubbo NSW

2012 Against the Grain, New England Regional Art Museum, Armidale NSW

2010 Moree Plains Gallery NSW

2009 Walcha Gallery of Art NSW

Gallows Gallery, Perth WA

2006 Baroque Niche, Gallery Klatovy, Czech Republic

2003 Bryan Hooper Gallery, Chippendale, Sydney

2001 BBA Gallery, Sydney

1990, 1992, 1996, 1998 Coventry, Sydney

1988 Cintra Gallery, Brisbane

1985, 1987 Coventry, Sydney

1983 Tamworth City Art Gallery

1983 Weswal Gallery, Tamworth

1980 Parmenter Gallery, Walcha

Collections/Awards

2022 Palmer Sculpture Biennial, SA - Winner

2020 Sculpture in the Vineyards, Wollombi, NSW - Winner First Prize

2020 Sculptures in the Garden, Mudgee, NSW - Winner Major Acquisitive Prize

2014 Sculpture By The Sea, Bondi – Winner, Artistic Excellence Program

2014 Eumundi Sculpture Prize – Finalist

2014 Sculpture By The Sea, Bondi – Winner, Artistic Excellence Program

2013 Sculpture By The Sea, Bondi – Winner, Macquarie Group Sculpture Prize
(Acquisitive $60,000)

2013 Sculpture By The Sea, Bondi – Waverley Council Parks Staff Prize

2011 Aquasculpture  – Port Macquarie – Winner

2011 Sculpture By The Sea, Bondi - Sculpture Inside – Curators Prize

1999 Festival of the Black Soil Plains  – Moree Plains Gallery/Winner

1999 Sculpture by the Sea Bondi  – Sherman Galleries Award

Coventry Collection

NERAM, Armidale

Newcastle Regional Art Gallery

Tamworth Regional Art Gallery

Parliament House, Canberra

Commissions

2022 Snowy Valleys Sculpture Trail, Tumbarumba NSW

2020 Canal to Creek Westconnex M8 Public artwork project, St.Peters interchange

2020 Sculpture down the Lachlan, Forbes, NSW

2019 ANZAC Memorial Park, Walcha – The Beacon (collaboration with James Rogers, sculptor)

2018 Mona Farm, Braidwood, NSW

2017 Mc Cloy Group forecourt, Newcastle

2015 Peter Elkin Memorial Seat, Arboretum, Armidale NSW

2013 Northlakes Estate, Newcastle NSW
Lampada Estate, Tamworth NSW

2012 Castle Cove Primary School NSW

2011 Crossroads Hotel, Narrabri NSW

2010 Bryce Laut Memorial Sculpture Project, Sea Acres Rainforest Centre, Port Macquarie NSW

2008 Sydney Polo Club, Richmond NSW

2006 Lynbrook Estate Shopping Centre, South Melbourne VIC

Dorothy Topfer Memorial, Ballina School NSW

2005 The Boulevard Longyard Estate, Tamworth NSW

Place Where Eels Swim mosaic, Walcha

2004 Harry's Corner, Shelly Beach, Port Macquarie, Hastings Council NSW

Judith Wright Memorial Garden, Armidale NSW

Waterlily Park, Port Macquarie, Hastings Council NSW

2002 Harry’s Lookout, Shelly Beach, Port Macquarie, Hastings Council

2000 Petali entrance sign, Walcha NSW

Walcha roads entrance signs – Walcha NSW

Ku-ring-gai Municipal Council – Bancroft Park, Roseville NSW

1996 Weather Signs fountain sculpture, McHatton Park, Walcha NSW

1991 Sculpture for the Rainforest Display, Dorrigo National Park, NPWS

1982 Mural, Imperial Hotel, Tamworth NSW

Selected Group Exhibitions

2022 Palmer Sculpture Biennial,SA - Winner

2022 Sculpture by the Sea, Bondi. 20 times exhibitor.

2022 Tom Bass Sculpture Prize, Sydney, NSW

2021 Miniature Sculpture - Defiance Gallery, Mary Place, Paddington

2021 Sculptures Outback, Roma, QLD

2021 Compass: Generations of Walcha Artists -NERAM, Armidale

2020 Sculpture in the Vineyards, Wollombi, NSW

2020 Sculpture in the Garden, Mudgee, NSW

2019 “Sculpture by the Sea”, Bondi, NSW

Sculpture in the Garden, Mudgee, NSW – Invited Artist and Judge

2018 Hillview Sculpture Biennial – Hillview, Sutton Forest, NSW

City of Light – Tamworth Regional Art Gallery

2016 Borne - Sculpture for the body – Stanley Street Gallery

2015 Sculpture By The Sea, Aarhus, Denmark

First International Sculpture Painting Invitation -

Jishi Media Art Investment Management Co Ltd, Chang Chun China

2014 Maximus Minimus, Defiance Gallery, Newtown, Sydney

The Summer Show, Mick Gallery, Paddington, Sydney

Walcha City Of Art Anniversary Exhibition, Walcha Gallery of Art

Sculpture At Sawmillers, McMahons Point, Sydney

Sculpture By The Sea Winter Exhibition, Surry Hills, Sydney

Sculpture 2014, Maunsell Wickes Gallery, Paddington, Sydney

Sculpture By The Sea, Bondi, Sydney

2013-2016 Sculpture By The Sea, Bondi, Sydney

2013 Julia Griffin, Stephen King, Nigel White, Walcha Gallery of Art NSW

Kunderang, Walcha Gallery of Art NSW

Sculpture, Mick Gallery, Paddington NSW

Sculpture By The Sea, Bondi NSW

2012 Small Sculpture Show, Walcha Gallery of Art NSW

Defiance Sculpture Park at the Gate Gallery, Wollombi NSW

Sculpture InsideSculpture By The Sea, Bondi NSW

Tiny Titans and Miniliths – Miniature Sculpture Show, Defiance Gallery, Enmore NSW

Sculpture, Mick Gallery, Paddington NSW

In(two)art, S.H. Ervin Gallery, Sydney NSW

Coventry’s Artists, New England Regional Art Museum, Armidale NSW

The Drawing Show, Walcha Gallery of Art NSW

2011 Raw Jam, Walcha Gallery of Art NSW

Aquasculpture, Port Macquarie NSW

Sculpture By The Sea, Bondi NSW

Sculpture By The Sea, Cottesloe Beach, Perth WA

Kooindah Acquisitive Sculpture Prize Exhibition, Wyong NSW

2010 Going Bush – Stephen King and Julia Griffin, Galerie Am Park, Vienna, Austria

UWS Acquisitive Sculpture Award and Exhibition, Penrith NSW

Artscape, Byron Bay NSW

Retrospect Galleries, Byron Bay NSW

In(two)art, Maitland Regional Art Gallery NSW

2009 Opening Exhibition, Walcha Gallery of Art, Walcha NSW

Sculpture in the Gaol, Trial Bay NSW

Aquasculpture, Port Macquarie NSW

Sculpture By The Sea, Bondi NSW – Invited Distinguished Artist

Sculpture By The Sea, Cottesloe Beach, Perth WA

2008 Sculpture 2008, Maunsell Wickes at Barry Stern Galleries

Sculpture By The Sea, Bondi NSW

Sculpture By The Sea, Cottesloe Beach, Perth WA

2007 Sculpture By The Sea, Bondi NSW

Sculpture Inside, Bondi NSW

Woollahra Small Sculpture Prize, Redleaf Council Chambers, Double Bay

Aquasculpture, Port Macquarie Town Green NSW

3D at Blue Poles Gallery, Byabarra NSW

Three's Company, Michael Reid, Elizabeth Bay, Sydney

2006 Sculpture By The Sea, Cottesloe, Perth WA

Regional Encounters, Tamworth Regional Gallery NSW

Walcha City of Art – Contemporary Australian Art, Karlovy Vary Art Gallery, Czech Republic

Opening, SAASS, Tamworth NSW

My Time My Place Myself, New England Regional Art Museum, Armidale

Stephen King and Mike Nicholls Linocuts, Galerie F, Klatovy, Czech Republic

6th International Linocut Symposium, White Unicorn, Gallery Klatovy/Klenova, Czech Republic

Sculpture By The Sea – Invited Artist, Bondi NSW

2005 Sculpture Inside, Maunsell Wickes at Barry Stern Galleries, Paddington

Sculpture By The Sea, Bondi NSW

New England Objectives, NERAM, Armidale NSW

The Land, Gallery 47, Rylstone NSW

2004 Sheer Diversity – Sculptors Who Draw, Trevor Victor Harvey Gallery, Seaforth NSW

Sculpture By The Sea, Bondi NSW

Sculpture Inside, Bondi Pavilion NSW

2003 Surface Memories, Tamworth City Art Gallery NSW

New Sculpture, BBA Gallery, Sydney NSW

Walcha – City Of Art, New Contemporaries, QVB, Sydney NSW

Confluence – Four Regional Sculptors, Port Macquarie Hastings Regional Art Gallery NSW

Walcha – City of Art, Old School Gallery, Walcha NSW

Bulldust to Bitumen Art Show, Walgett NSW

2002 Sculpture By The Sea, Bondi Beach NSW

Sculpture Inside, Bondi Pavilion NSW

Packsaddle Fundraising Exhibition, NERAM, Armidale NSW

2001 Sculpture From The Sea, Hazelhurst Regional Gallery, Gymea NSW

Sculpture By The Sea, Bondi Beach NSW

Sculpture In The City, Martin Place, Sydney NSW

2000 It's A Guitar Shaped World 6, Tamworth City Art Gallery NSW

Inaugural Exhibition, BBA Gallery, Sydney NSW

Sculpture By The Sea, Bondi Beach, NSW

1999 Stephen King – Small Sculptures, Armidale NSW

Willoughby City Art Prize, Willoughby Civic Centre, Sydney NSW

Art In The Wild, Wildwood, Mudgee NSW (Mudgee Wine Festival event)

Festival Of The Black Soil Plains, Moree Plains Gallery, Moree NSW

Sculpture By The Sea, Bondi Beach NSW

1998 The Print Show, Coffin Creek Shed, Mudgee

Sculpture Acquisition Prize, Lake Macquarie City Art Gallery NSW

Works from Coffin Creek Shed Mudgee, Old School Gallery, Walcha NSW

Sculpture By The Sea, Bondi Beach NSW

Nova Anglica, NERAM, Armidale NSW

Etchings, Coventry, Sydney NSW

1997 Sculpture By The Sea, Bondi Beach NSW

Roger Griffin, Julia Griffin, Stephen King, Coffin Creek, Mudgee NSW

The Opening, Old School Gallery, Walcha NSW

1996 Roger Griffin, Julia Griffin, Stephen King, Coffin Creek, Mudgee NSW

Generation Stick, Tusculum Gallery, Sydney NSW

Elevations, Old School Gallery, Walcha NSW

1995 Australia Felix, Emu Plains Woolshed, Benalla NSW

Salon des Refusés, SH Ervin Gallery, Sydney NSW

Ironsides, Powerhouse Museum, Sydney NSW

1994 Roger Griffin, Julia Griffin, Stephen King, Coffin Creek, Mudgee NSW

Obsession, Coventry Collection, Campbelltown City Art Gallery Travelling Exhibition

1993 On the Other Hand, S.H. Ervin Gallery, Sydney

Northern Artists – opening exhibition, Coffin Creek Shed, Mudgee

A survey of local contemporary practise, Tamworth City Gallery

1992 Works On Paper, Coventry, Sydney

1991 New Art Five, Coventry, Sydney

The Packsaddle Show, NERAM, Armidale

Christmas Show, Coventry, Sydney

1989 Griffin, Sahm, Kensell, King, Tamworth City Art Gallery

15 Shopping Days to Christmas, Coventry, Sydney

1988 New Works From the Studio, Coventry, Sydney

The Packsaddle Show, NERAM, Armidale

Black and White, Coventry, Sydney

1987 Colour II, Coventry, Sydney

Australian Works on Paper, Aion Fine Arts, Dallas USA

Five Northern Printmakers, Weswal Gallery, Tamworth

1986 Artists from North West NSW, Blaxland Gallery, Sydney

Sydney Printmakers, Blaxland Gallery, Sydney

Colour I, Coventry, Sydney

1984 Country Artists, Coventry, Sydney

1982 New England Regional Artists, Tamworth City Art Gallery

Regional Artists of New England, New England Regional Art Museum

1981 On The Open Road, London

1979 Australian Student Printmakers Travelling Exhibition, Blaxland Gallery, Sydney

1977 SCA Selected Works, Adelaide Arts Festival

1976 NSW HSC Travelling Exhibition

Selected Bibliography

SMH Spectrum - 24-25 October 2020 - ‘Sculptors pick up the pieces’ by John McDonald

ABC Open New England North West – ‘Makers and Creators’, 13 February 2015 – ‘Sculpture from the highlands to the sea’ by Tim Leha

Craft Arts International no.95 2015 – ‘Sculpture by the Sea: Aarhus Denmark’ by Sasha Grishin

Sydney Morning Herald 22 June 2015 – ‘Australian Artists Shine At Sculpture By The Sea In Aarhus, Denmark’ by Sasha Grishin

ABC Radio New England North West, 13 May 2014 – ‘A survey: Stephen King’ by Kelly Fuller

media.theage.com.au/entertainment/behind-the-scenes/stephen-king-bush-sculptor, 16 January 2015

The Australian, Arts Review, 10 May 2014 – ‘Sculptor Stephen King performs a balancing act’ by Bronwyn Watson

Sydney Morning Herald, Spectrum pp12-13, 9-10 November 2013 – ‘Ocean Views’ by John McDonald

Wentworth Courier p18, 30 October 2013 – ‘City’s fave coast walk’

The Northern Daily Leader, 26 October 2013 – ‘Walcha woodsman wins equivalent of Archibald’

The Weekend Australian, The Nation p6, 26-27 October 2013 – ‘Stairway rises to art challenge but farmer steps up’ by Tim Douglas

news.com.au, 26 October 2013 – ‘Artist turns disaster to artistic triumph’

The Daily Telegraph p11, 26 October 2013 – ‘Farmer’s fallout a natural winner’ by Elizabeth Fortescue

The Armidale Express p1, p7, 23 October 2013 – ‘The King of sculpture’ by Victoria Nugent

ABC Radio, 14 May 2012 – 'Against The Grain' by Kelly Fuller – watch online

ABC Radio New England North West – Interview Kelly Fuller 2010 – watch online

The Weekend Australian Financial Review p36, 10-11 July 2010 – ‘Breath of Fresh Air” by Sue Williams

The Daily Telegraph, Escape p67, 15 April 2010 – ‘Beauty cut by hand and nature’ by Marea Donnelly

Moree Life Magazine p16, April 2010 – ‘Inspired by the land’ by Samantha Stratton

The Courier Mail, Escape p30, 13-14 March 2010 – ‘Rustic Renaissance’ by Marea Donnelly

The Land p60, 11 February 2010 – ‘Sculpting to the bio-flow’ by Matthew Cawood

Sydney Morning Herald, Spectrum p18, 14-15 November 2009 – ‘Good intentions lost at sea’ – John McDonald

Sydney Morning Herald, Business Day p2, 6 November 2009, CBD by Scott Rochfort

The Australian, Arts, 4 November 2009 – ‘Figures no match for the landscape’ by Christopher Allen

Sydney Morning Herald, Arts and Entertainment p12, 30 October 2009 – ‘Thinking of Recession? It’s a shore thing’ by Adam Fulton

You magazine p13, August 2009 – ‘The Art of Living’ by Wendy Spooner

Home Beautiful magazine p72, July 2009 – ‘Home Grown’ by Karen Cotton

Insite magazine p210, Autumn 2009 – ‘Gallery’s Choice’ by Nathan Scolaro

Western Suburbs Weekly, Perth p27, 10 March 2009 – ‘Farming inspires’ by Andrew Ritchie

Beyond the Bale p18, February/March 2009 published by Australian Wool Innovation – ‘Shaping the Land’ by Matthew Cawood

The Daily Telegraph, Weekend p39, 18 October 2008 – ‘Art and about for a wondrous event” by Elizabeth Fortescue Armidale Independent p10, 23 April 2008

Landline, ABC TV, 2 December 2007 – ‘Big art’ by Pip Courtney

The Land Magazine p36, 4 January 2007 – ‘Sculpting from Walcha’s waste’ by Amy Lewer

Sydney Morning Herald, Spectrum p16, 3-4 June 2006 – ‘A reality Czech from Walcha’ by John McDonald

Sydney Morning Herald, Good Weekend p20, 14 January 2006 ‘Art attacks’ by John McDonald

Port Macquarie Express, Hastings Council Community Newsletter p4, 20 April 2005

The Northern Daily Leader p2, 31 March 2005 by Rebecca Gracie

The Australian, 7 April 2004 by Tim Hughes

The Newcastle Herald, Weekender pp8-9, 21 February 2004 by Darrell Croker

Armidale Express p2, 11 February 2004

Surface Memories colour catalogue published by Tamworth City Art Gallery, December 2003

Walcha City of Art colour catalogue edited by John McDonald and published by New Contemporaries, QVB, Sydney

Sunday Telegraph, 28 December 2003

The Land, Magazine p6, 2 October 2003

The Land, Magazine p1, 3 July 2003 by Melissa Lang

Artreach pp16-17, June 2003, by Jane Shadbolt and John McDonald

The Australian p17, 20 June 2003 by Tim Hughes

Sydney Morning Herald p5, 16 June 2003 by Peter Cochrane

The Daily Telegraph p13, 11 November 2002

Artreach p24 June 2002 by Cath Ovenden

Sydney Morning Herald Metropolitan p19, 4 April 2001 by Courtney Kidd

Sydney Morning Herald Metro p27, 30 March 2001 – Critics Picks by Courtney Kidd

Sydney Morning Herald p6, 27 March 2001 by Andrew Stevenson

Artreach p12, February 2001 by Rebecca Townsend

Country Style December 1998 by Sue Webber and Trevor Creighton

Artreach (Regional Arts NSW) pp42-43, Summer 1998

Business Review Weekly, 28 October 1996 by Jane Burton Taylor

Sydney Morning Herald p3, 28 May 1996 by Peter Cochrane

Sydney Morning Herald, Spectrum, 1 June 1996 by John MacDonald

The 7.30 Report, ABC Television, 1993 New Art Five, edited by Neville Drury, 1991

Sydney Morning Herald, 31 July 1987 by Bronwyn Watson

Sydney Morning Herald, 19 April 1985 by Susanna Short

The Northern Daily Leader p1, 30 April 1983

Workshops / Presentations

2018 Walcha Sculpture Symposium – Joint co-ordinator, technician

2013 Norfolk Island Pole Project – Sponsored artist to conduct a presentation and wood carving workshop.

2009 Bryce Laut Memorial Sculpture Workshop – Blackfellows Gully, Walcha

2008 “Sculpture in Public Space” – Sculpture by the Sea Cottesloe Conference – State Library, WA – Presenter

2007 Aboriginal Sculpture Workshop – Enngonia, NSW

Inami International Wood Sculpture Camp, Nanto City, Japan – Invited Australian representative

Verandah Post Project, Walcha – Co-ordinator and Technician

2006 6th International Linocut Symposium, Klenova, Czech Republic

2004 “Sculpture in Public Space” – Sculpture by the Sea Symposium – Domain Theatre, Art Gallery of NSW – Presenter

2002 Confluence 2002, 2003- Port Macquarie – Presenter and workshop.

2001 Walcha Street Furniture Project – Co-ordinator and Technical Assistant.

1997, 1998 Youth and Aboriginal workshops – printmaking

1990–2001 Printmaking workshops held in own studio for school and TAFE students.